About us

Who we are

Ephra is a non-profit organisation based in Berlin. Ephra conceives and realises innovative projects and individual offers for partner institutions and clients from the fields of culture and education. Ephra acts as an interface to connect children and art and is committed to breaking down barriers to participation in cultural offerings. Ephra opens up spaces for joint questioning at eye level. Ephra is committed to democracy and emotional education through art.

Our projects

In order to create places and spaces for child-friendly art education, Ephra cooperates with schools and various institutions, museums and exhibition venues, including the Bundesstiftung Bauakademie, the Jewish Museum Berlin, LAS (Light Art Space), Kulturhaus Schwartzsche Villa, Kunsthaus Dahlem and Gropius Bau. For the latter, Ephra conceived and implemented the education programme for the Yayoi Kusama retrospective in 2021, as well as workshops for families and school classes in the group exhibition YOYI! Care, Repair, Heal in 2022.

In 2023, in cooperation with Haus Kunst Mitte, Ephra presented the group exhibition
GEDANKEN SPIELEN VERSTECKEN. A Contemporary Art Exhibition for Kids and Adults with artistic positions from the Ephra on the road-programme. Ephra on the road offers children a direct exchange with Berlin-based artists in their studios.

Our mission

Education for democracy must begin in childhood! When children learn that their thoughts and feelings are valuable, this demonstrably strengthens their resilience and community skills. Children learn democracy by being taught how to constructively shape their living environment. Children are strengthened in their personal responsibility by experiencing diversity, co-determination and freedom of expression. Children hone their community skills by learning how to express themselves and listen to others.

Ephra connects children with artists and art because art encourages them to consider life's essential questions together. Children belong in art. Because art is not a privilege, but an important pillar of a democratic society.

Team

 

Rebecca Raue

is the CEO of Ephra. She studied art with Georg Baselitz and Rebecca Horn and lives and works in Berlin. At the age of 17, she was already dreaming of a house where children and art could come together. Her dream was to open new spaces for thinking by acknowledging individual worlds of feeling and exchanging ideas about them. Rebecca Raue knows the art world and the gallery and exhibition business, she knows the processes on the art market, but above all she knows many people who realise how important it is to let children really participate. With Ephra, she opens up the space to come together and positively impact their lives. To the website

Malu Blume

is an art mediator and artist. She studied art education and educational sciences as well as the Master Critical Studies at the Academy of Fine Arts Vienna with a focus on art education. Malu has realised various projects at the intersections of performance, mediation, artistic research and community. She is a member of the queer-feminist studio collective and project space “Altes”. At Ephra, she leads the project Ephra unterwegs, develops mediation concepts and accompanies many groups on studio visits and in other workshop formats.

Alexa von Senger

studied cultural studies and business administration at the University of Potsdam. She is now continuing her master’s degree in Art Studies at TU Berlin. Through an internship in museum education, she was able to pass on her love of art and creativity. As part of “Achtet Alis MB”, the youth committee of the National Museums in Berlin, she does projects and workshops by young people for young people. Since 2022, she has been supporting Ephra in the preparation and implementation of workshop formats and manages the Ephra Instagram channel.

 
 

Amelie Bender

studied Art and Visual History and Educational Science at Humboldt University in Berlin and is now completing a Master's degree in Art Studies at TU Berlin. Training as a museum guide during her school years sparked her interest in art education. Since then, she has had the opportunity to work with children and young people in various projects. Since 2022, she has mainly been responsible for communication (website and newsletter) and editorial work at Ephra.

 
 

The Ephra House

Since September 2024, we are based in the Ephra House, a spacious three-floor building at Köpenicker Straße 179 in Berlin-Kreuzberg owned by BEOS AG. Little by little, a creative laboratory is emerging here, where children and artists come together, try out participation, feel, play, discuss or dream, cook lunch, explore emotional worlds and landscapes and collect ideas for the future.

Impressions from the Ephra House
Impressions from the Ephra Haus
Impressions from the Ephra Haus

What the people say

 
Artist Sebastian Neitsch works at his office with headphones. This is a black and white shot.

“Little people with big questions – and a blast discovering and thinking!”

– Sebastian Neitsch (Quadrature), artist

 

“The children are given space to develop here, they are valued and seen. What that can achieve is really impressive.”

– Heinke Castagne, social worker

 
Portrait of the politics teacher Phil Elsen.

“The projects are a unique opportunity to broaden the students’ horizons with creativity, knowledge and heart and support them in becoming self-determined and sparkling authors of their own lives.”

– Phil Elsen, politics teacher

 

“If I don’t walk out of here happy today, I don’t understand myself anymore.”

– Ephra unterwegs-child

 
The artist Michelle Jezierski stands in front of one of her paintings.

“The children’s studio visit with me was enriching for everyone - a change of perspective for the children, but just as much for me. I gave the children a glimpse into my world and through your refreshing questions and thoughts, it was exciting to be allowed to see my works through your eyes.”

– Michelle Jezierski, artist, about the ‘Ephra unterwegs’ studio visit.

 

“I’m so full of ideas, I could explode.”

– Ephra unterwegs-child

 
Black and white portrait of the artist Wie-yi T. Lauw.

“I love the unbiased, direct look of children – how they perceive art and discover things – that many adults have long since stopped seeing because they’re too cerebral.”

– Wie-yi T. Lauw, artist (Photo: Anna Bauer)

 

“I went wild in my imagination.”

– Ephra unterwegs-child

 
The artist Stella Meris

"Talking to children about my art is a real broadening of horizons for me. They ask unusual questions and make funny mental leaps."

– Stella Meris, artist (Photo: Andi Meyer)

 
Portrait of the artist Zuzanna Skiba

“At the end, there was a small gift for each one: a lump of oil paint..

As you could see, the enthusiasm for this little lump was so haptically stimulating, and the opportunity to put materiality very directly into children’s hands is always very existential and fascinating.”

– Zuzanna Skiba, artist, about the ‘Ephra unterwegs’ studio visit (Photo: Maria Schöning)

 

“I think it’s nice that there are no rules in art.”

– Ephra unterwegs-child

 
Black and white portrait of the artist Christina Huber

“Christina Huber’s artistic works consisting of paintings, digital videos and performative actions explore questions of identity, social patterns and value concepts. These are explored on the basis of her own empirical experiences, as well as dance and body-oriented therapies, and then transferred into multi-layered, color-intensive images using walnut oil.”

– Christina Huber, artist
(Photo: Meret Freisen)

 
The artist Ana Prvački

“What a joy to have a studio packed with curious children eager to play! Thank you Ephra for making it possible!”

– Ana Prvački, artist

 
The artist Ahu Dural

“Opening a studio, and thus gaining an insight into a creative workplace, always offers young people a glimpse into a possible future. Regardless of the direction their individual future may take, a glimpse into the work of artists provides space for inspiration, broadens perspectives and gives children opportunities to explore and expand their ideas about careers.”

– Ahu Dural, artist (Photo: Benjakon)

 

"I learned that you can also just paint freely from your imagination and that it doesn't have to be perfect."

– Ephra unterwegs-child

Portrait of the artist Erik Schmidt

I couldn't communicate verbally with the Ukrainian children, but we didn't have to, because art became our common language. I showed the children my way of working and then they painted over photos themselves. The result was a free play of colours, endless motifs overlaid with emotions and energy. The children understood this even without words.

– Erik Schmidt, artist (Photo: Thorsten Wulff)

“Very sensitively, Ephra has allowed a trusting & interpersonal closeness to develop between the children & me in my studio. The integrative power of culture is already being tested here at the root of society. This is absolutely meaningful.”

– René Wirths, artist

 
Gallery Weekend Berlin director Maike Cruse stands in front of a brick wall.

“Every year Ephra’s tours were so lovingly prepared & conducted in a child- & art-friendly way that it was a great pleasure for everyone. At the end of one tour, many children wanted to go straight back to the next one.”

– Maike Cruse, director of Gallery Weekend Berlin

 

“I always wish that school would continue so that I could go back to Ephra.”

– Omar, student

 
The artist Uli Aigner

"Working with children is pure confrontation, pure reaction, pure questioning, pure happiness, like pure love."

– Uli Aigner, artist (Photo: Lena Herzog)

 
Black and white portrait of the artist Lena von Goedeke.

“After all, the best art is by artists who can still marvel and explore like the kids at Ephra!”

– Lena von Goedeke, artist

 

“I used to think the world had nothing to do with me. Since I joined the project, I know that the world has a lot to do with me.”

– Ephra unterwegs-child

 
Portrait of the presenter of "Cheker Tobi", Tobi Krell.

“We had an incredibly beautiful day shooting at Ephra. What children take with them here and how they can be and develop here really impressed me. That is invaluable.”

– Tobi Krell, moderator on „Checker Tobi” KiKa

 

“Everyone was able to really speak their mind, and people dared to.”

– Ephra unterwegs-child, about the ‘Ephra unterwegs’ studio visits

 
Portrait of the artist Silvia Noronha

“After the studio visit, I kept thinking about children’s universes across cultures and how they are permeated by primarily sensorial environmental experience. I see this exchange as a needed laboratory of nurturing and caring for children’s and adult’s timeless play of creation.“

– Silvia Noronha, artist (Photo: Kummer-Vanotti-Stiftung)

 
Black and white portrait of artist Jay Gard.

“Who learned from whom today?”

– Jay Gard, artist, about the ‘Ephra unterwegs’ studio visit (Photo: Fritz Bornstück)

 

“I thought artists always had the same technique – make everything as realistic as possible – but through the project I saw that there are a lot of different ones.”

– Ephra unterwegs-child

 
The artist Ethan Hayes-Chute in his studio

“I had a great visit with the kids from Ephra. Their curiosity and interest in my studio and my work, and the life of an artist was a refreshing and reinvigorating outside glimpse into my own process that I seldom have access to.”

– Ethan Hayes-Chute, artist (Photo: Gustaf Waesterberg)

 

“The project is making waves among the children and young people, which can also be noticed in other areas of everyday school life, in addition to artistic engagement. They grow in their attentiveness and reflection, in their clarity of expression and appreciation of their own work as well as the work of others.”

– Annette Pfnorr, Elementary School Teacher

 
The artist Malte Zenses

“Something has stuck with me and the children from that day. Life outside of school and one's own comfort zone is so complex and diverse, I wish I would have made such trips when I was in school-going age...Even though I was not only showered with curiosity and understanding that day, I think there was a mutual interest...An interest consisting of trying to understand how the other person thinks...You are annoyed by the "Face Wine TikTok-Beauty-Trend", I am annoyed by classism...I think we all said goodbye that day with many question marks in our eyes, loved it.”

– Malte Zenses, artist, about the Ephra on the road studio visit (Photo: Ephra

What does the name Ephra mean?

The name Ephra is a tribute to Marion Ephraimson, born in Berlin in September 1889 as the child of Jewish fabric merchants. She is the great-grandmother of Rebecca Raue. Whilst searching for a name for the projects that had been in the pipeline for a long time, Rebecca came across her long-dead relative in meditations. She was a mother and grandmother and had been interested in art all her life. Her surname Ephraimson is derived from Ephraim (Hebrew ֶא ְפ ַריִם efrájim) - which means "fruitful on both sides". The word "ephra" thus precisely describes the vision that Rebecca and Michaela had for the projects: Through art connections, both fields, that of childhood and that of art, are cultivated and made fruitful for the future.

Ephra is children, future, art.